The words, comedy, dark and musical aren’t often used in the same sentence, but when they do, they produce something wonderful & brilliant, as is the case with The Addams’ Family Musical currently at Wales Millennium Centre and tonight was also the 100th performance!
Based on the Charles Addams’ comic strip, and of course, the tv show, not forgetting the two major films from the early 90s – and an MC Hammer interpretation of said theme, he said they were “2 legit” you know. It’s seven years since the musical made its debut on Broadway, and its lyricist, Andrew Lippa is Leeds born and Motown bred – so you’ve an idea of the pedigree behind this piece.
The look of the production is right on point, basing a lot of imagery on the fact its origins were from a comic strip. The lighting and sound bring you right into the world of Central Park (yes – the Addams’ Family home is in Central Park in NYC) – so much so, when the lights came on at the end, it took me a few minutes to adjust to the Cardiff ambience.
It has some real big stars of musical theatre including Cameron Blakely (Gomez), Carrie Hope Fletcher (Wednesday) and Samantha Womack (Morticia). It’s sometimes difficult to judge whose performance to highlight when the cast and ensemble gel together so well and bring the story to musical life. It’s also tricky to mention people in the order of “importance” – so I’m not going to, I’ll just showcase some of my favourite moments – and then leave it to you to discuss (or argue) the order/opinion.
I’ve followed Carrie’s work since her brother shared some of her Youtube cover versions (Only Exception being one such piece). I’ve always loved her voice, and saw her last year in the UK Tour of Chitty Chitty Bang Bang, and it was during this time last year that she announced she was on the UK Tour of Addams’ Family – and here we are. Her stand out moments are Pulled and Crazier than you – and if you’ve seen her Youtube channel, you’ll know the latter quite well.
The phrase about not judging a book by its cover was probably written for Les Dennis (Fester). I realise now he’s been in several musical – Hairspray, Me and my girl & Spamalot, but for one moment did I think he could perform? Honestly, I didn’t – but, I’m glad to be proven wrong as he can and did, plus there’s a nice little touch during Act One of something that rarely happens during a musical – if you see it, see if you spot what I’m talking about – all I shall say is breaking down the fourth wall.
The sound, the imagery, the ensemble and production just work so well. It’s different from a normal musical, it’s funny, and you’ll take from it a message that being normal is just a state of mind.
Take two hours out of life, and become an Addams’ – you won’t want to leave. They’re creepy and they’re kooky, and you should go and booky a night with the Addams’ Family at Wales Millennium Centre
Lots of things happening at 
Survival, romance and atonement in a diverse community: Tiger Bay, a new musical, takes place in what was once the most cosmopolitan port in the world, Cardiff Bay. A Wales Millennium Centre production in association with Cape Town Opera, this brand new show takes us back to the dawn of the twentieth century at the height of South Wales’s coal trade with characters drawn from the melting pot of Cardiff’s famous docklands.
Matt Lee, one of Australia’s premier “song and dance men”, played the role of ‘Bert’ in ‘Mary Poppins’ in the hugely successful Australian production of the show, his portrayal winning him the prestigious Helpmann Award for Best Actor in a Musical. His other theatre credits in Australia include ‘Miss Saigon’, ‘The Witches of Eastwick’, ‘Rent’, ‘Grease’ and ‘The Boy from Oz’. Matt was also a permanent member of the judging panel for Australia’s ‘So You Think You Can Dance’.
footnote, he wasn’t in the original Ian Fleming book. He was introduced via the screenplay for the movie by Roald Dahl. Next time you watch the film, it doesn’t take much to compare the likes of Charlie and the Chocolate Factory or The BFG to the film. You could be one of the generation for that the child catcher remains a terrifying reminder of your youngers days – this was certainly the case for the woman sat in front of me in the stalls. Every time the CC appeared, she couldn’t watch the stage – and was slightly mocked by the children she was with, bless.
