The words, comedy, dark and musical aren’t often used in the same sentence, but when they do, they produce something wonderful & brilliant, as is the case with The Addams’ Family Musical currently at Wales Millennium Centre and tonight was also the 100th performance!
Based on the Charles Addams’ comic strip, and of course, the tv show, not forgetting the two major films from the early 90s – and an MC Hammer interpretation of said theme, he said they were “2 legit” you know. It’s seven years since the musical made its debut on Broadway, and its lyricist, Andrew Lippa is Leeds born and Motown bred – so you’ve an idea of the pedigree behind this piece.
The look of the production is right on point, basing a lot of imagery on the fact its origins were from a comic strip. The lighting and sound bring you right into the world of Central Park (yes – the Addams’ Family home is in Central Park in NYC) – so much so, when the lights came on at the end, it took me a few minutes to adjust to the Cardiff ambience.
It has some real big stars of musical theatre including Cameron Blakely (Gomez), Carrie Hope Fletcher (Wednesday) and Samantha Womack (Morticia). It’s sometimes difficult to judge whose performance to highlight when the cast and ensemble gel together so well and bring the story to musical life. It’s also tricky to mention people in the order of “importance” – so I’m not going to, I’ll just showcase some of my favourite moments – and then leave it to you to discuss (or argue) the order/opinion.
I’ve followed Carrie’s work since her brother shared some of her Youtube cover versions (Only Exception being one such piece). I’ve always loved her voice, and saw her last year in the UK Tour of Chitty Chitty Bang Bang, and it was during this time last year that she announced she was on the UK Tour of Addams’ Family – and here we are. Her stand out moments are Pulled and Crazier than you – and if you’ve seen her Youtube channel, you’ll know the latter quite well.
The phrase about not judging a book by its cover was probably written for Les Dennis (Fester). I realise now he’s been in several musical – Hairspray, Me and my girl & Spamalot, but for one moment did I think he could perform? Honestly, I didn’t – but, I’m glad to be proven wrong as he can and did, plus there’s a nice little touch during Act One of something that rarely happens during a musical – if you see it, see if you spot what I’m talking about – all I shall say is breaking down the fourth wall.
The sound, the imagery, the ensemble and production just work so well. It’s different from a normal musical, it’s funny, and you’ll take from it a message that being normal is just a state of mind.
Take two hours out of life, and become an Addams’ – you won’t want to leave. They’re creepy and they’re kooky, and you should go and booky a night with the Addams’ Family at Wales Millennium Centre
♬♫♪ Stranded at the drive-in, branded a fool, just how will I start, my Grease review….♬♫♪
Danielle Hope’s musical theatre pedigree is undeniably brilliant. Having won “Over the Rainbow” and becoming Dorothy in the Wizard of Oz, becoming Éponine (twice) in the London production of Les Mis and touring with the Sound of Music and Joseph and the amazing Technicolor dream coat, watching her was a joy – just a shame her talent wasn’t showcased further.
Other mentions to Ryan (Doody) and Oliver (Roger) – although not well known outside of theatre circles, both are brilliant vocally and added something a little special – if your only experience of Grease is the film – this will be a special “oh, I didn’t know that” moment.
Lots of things happening at 
Tiger Bay the Musical takes us back to the early 1900s in old Butetown, the docklands and Cardiff city centre at an extraordinary turning point in history, when coal was king and the industry booming.
